correcting underwater colorcast premier pro adobe

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It’s very powerful, but takes getting used to, and we find it hard work

Color tools are limited for underwater use: no white balance color picker, no color temperature sliders, just their Color Board.

Although it’s affordable, it does add up and gets close to the price of Final Cut Pro in just over the first year.

It’s only available through Creative Cloud and the cheapest option is the “Single App License” of $19.99 per month

Price isn’t a one-time expense however, this can be a benefit depending on how you look at it.

If you’re new to NLE (nonlinear editor/editing), you may prefer the dynamic editing experience of the magnetic timeline.

#Correcting underwater colorcast premier pro adobe professional

Full-featured, professional editing environment.Although not free, it’s a one time purchase of $299.99.But the downside to this workflow is that older (slower) computers may have a difficult time playing back video previews in real time. Both of these applications also allow you to directly import and edit footage without transcoding-which we like because it’s faster.

#Correcting underwater colorcast premier pro adobe software

If you think you’re ready to have more control over your footage, apply more accurate color adjustments, and have a more professional software to work with, Apple’s Final Cut Pro X or Adobe Premiere Pro might be a better choice for you.

#Correcting underwater colorcast premier pro adobe 1080p

Let’s say if you shot a one-minute clip of 1080p footage with your GoPro you will have the first MP4 file that is ~500MB in size, and the second file in the Cineform codec will be almost 2GB in size!Īpple Final Cut Pro X is a full-featured video editing softwareĪdobe Premiere Pro, also a full-featured video editing software, has a color correction user interface similar to Adobe LightroomĪpple Final Cut Pro X & Adobe Premiere Pro CC (Creative Cloud) The downside of this is that you now have two files on your hard drive. Before GoPro Studio can edit the footage, it must convert the video to the Cineform codec. When the footage is recorded on your camera, it is in a compressed MP4 file. The Cineform codec is a very high-quality professional codec.

Limited editor with a single video timeline.

All footage must be converted to Cineform before you can edit it (see below).

Pre-built drag-and-drop templates allow you to easily get a project completed.

It’s not quite a full-fledged library, but great for beginning video editors

The basic viewer allows you to visually see all of your GoPro clips.

Features an auto import feature from your memory card directly to the GoPro Desktop App.

Then, once you’ve made your selections, you can edit and export using GoPro Studio (included in the app download). GoPro has just released the GoPro App for Desktop, which helps you offload your GoPro content into an organized viewer. The brand new GoPro Desktop App helps you organize your content GoPro Studio is free and made specifically for GoPro footage For most people, it comes down to price and how serious you are about being a videographer. Making a decision about which video editor to use can be difficult. Instead, make a finished product that you can be proud of and looks stunning! Here are some editing tips that will help you make a video your family and friends will love. Now what? How do you make all of your hard work shine? The last thing you want to do is show unedited clips from your camera.

There are hours and hours of wide-angle, macro and topside footage all sitting on your hard drive.

#Correcting underwater colorcast premier pro adobe install

To install the filters go to the effects tab of your Adobe Premiere CS6/CC and import them (one by one).You’ve captured all of your epic dive trip footage using your GoPro. It really is amazing the colours of fish, crustaceans and corals from the bottom of the sea. The best result can be obtained with continuous artificial light, so even at depth the colour capture will be accurate. I do’t really like this technique because it makes the video more red when there is light. Many people use a physical filter in front of the camera lens: usually red or magenta. Underwater at depth, the colours fade due to light being absorbed by the water. So it’s good to go through each clip with the filter applied before finalising it. Sometimes the filter is good at the start of the shot, but it can get bad as the light changes. You should test multiple filters to see what is best for your video. These filters enhance the colour of videos made during dives.

#Correcting underwater colorcast premier pro adobe download

I’ve made available to download some filters I created for Adobe Premiere CS6 and CC (I don’t know if it works in other versions) for colour correction of underwater images. Retrieved using the WayBack Machine then translated from Portuguese to English using Google Translate. Taken from Gustav Ovier’s site (offline since Dec 2017).